I am is a sound artist, scholar and curator with a specific interest in the social and environmental conditions informing remote wilderness regions and their communities. My art practice is based on deep fieldwork where he deploys complex sound recording technology to capture natural, anthropogenic and geophysical forces. The recordings are used within various exhibition, performance and publication outcomes to demonstrate the transformative effects of sound within a fine art context. I am particularly interested in concepts of perception, immersion and embodiment in order to provide audiences with sophisticated encounters of space and place.